Historians of genre note the long existence of genre in human signifying practices (e.g., Frow 2015, Bawarshi and Reiff 2010). Finally, the article discusses the Library of Congress Genre/Forms Terms for Library and Archival Materials which, itself an evolving and changing standard, offers a step towards standardisation regarding genre terms and the scope of genre categories It considers genre theory as a framework for librarianship and knowledge organization and explores the use of genre within librarianship and knowledge organization. This article explores the history of genre analysis across a broad range of disciplines, including literary studies, rhetorical and social action studies, and English for academic and professional purposes. Genre can be thought of as a sorting mechanism, and genres are not only a matter of codes and conventions but also call into play systems of use and social institutions. The literature generally agrees that genre is a matter of discrimination and taxonomy, and that it is concerned with organising things into recognisable classes, existing as part of the relationship between texts and readers. Genres are fluid and historically changing categories, and there are different views about the scope and membership of specific genres. This article examines genre as knowledge organization. Genre in librarianship and knowledge organizationĦ.1 Genre, music and knowledge organizationĦ.2 Genre, film and knowledge organizationĦ.3 Genre, fiction and knowledge organizationĦ.4 The Library of Congress Genre/Forms Terms for Library and Archival Materials Rhetoric, genre, metaphors, and classesĥ.1 Genres in academic and research settings: 5.1.1 Reference genresĥ.2 Genre theory as a framework for librarianship and knowledge organizationĦ. Genre as classification: from ontological to historical analysisĥ. Genre: definitions, concepts, and backgroundĤ.
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